Monday, June 28, 2010

Rules of Thumb - Cleaning your Glass

By Tim Thumb on 04-12-2010

They say you should learn something new every day. And if you're a photographer, learning new things about the tools and techniques of picture taking ultimately manifests itself in the form of better pictures. That goes for pros and amateurs alike. A trick here, a bit of common sense there, and before long your pictures start taking on quality characteristics they might not have had earlier on. And that's what 'Rules of Thumb' is all about.

The thing about rules is that sometimes they're so basic, so obvious, just saying them can cock an eyebrow or two. An example? How about "Is your lens clean?'. Now before you raise your eyebrow and click to the next post on this site, go get your camera and look at your lens. I'm pretty fastidious about keeping my lenses dust and smudge-free even I'm surprised at how often I discover a smudge or fingerprint on my lens. And if you own a camera that tucks the lens safely away behind those thin, look-at-me-too-hard-and-I'll-break 'protection' blades, I'll bet there's a smudge or hunk of lint lurking there as we speak.

And how would you know? The lens is always facing away from you. You turn the camera on, fuss with the menus, and compose and edit your pictures while staring at the back of the camera. Chances are the only times you look at the front of your camera is when you take it in and out of its pouch. And unless you take the time to actually look at the front lens element, you're clueless as to how spotless your lens may or may not be.

As for the ramifications of smudges and rogue lint, they vary. Dust, while far from catastrophic, is the tamer of the two, and in the real world a few specs of dust won't affect the quality of your imagery much at all. Unlike dust that settles on your imaging sensor and manifests itself in the form of shadowy, fuzzy-edged blobs on each and every picture you take, the visual effects of random dust particles on the front of your lens are all but nullified in the final image. If you have enough of it, you might lose sharpness, but a few specs won't cost you a Pulitzer Prize.

Smudges are another story. Smudges affect the sharpness of your imagery, and the larger smudge, the greater the damage. Depending on the viscosity of the smudge, e.g. , standard finger smudges versus cheese-fry smudges, smudges degrade the color saturation levels of your images too. If you've ever cleaned a dirty window you know how much more vibrant the outside landscape suddenly appears after a round or two of Windex and a soft, clean cloth.

If your camera has interchangeable lenses, always make sure you examine the rear element of your lens each time you put it on; and examine it again before recapping it and putting it away. Smudges on the rear element are worse than smudges on the front element because the rear element is the one that projects the image onto the camera's sensor (or film). Unlike the front lens element, the rear element is only visible when mounting or removing the lens from the camera body. And when you're juggling a body and 1 or 2 lenses simultaneously you're more likely to leave a smudge on the rear element and never even know.

You have several options for keeping your lens surfaces clean starting with lens tissue, which depending on the brand come in packs of 25, 50, or 100. Lens tissue should be used 1 at a time, and folded over several times to create a cushy, pad-like surface. Unlike facial tissue (which should never, ever be used on a lens surface), lens tissue is lint and fiber-free and won't leave particles behind. Before cleaning a lens you should always breathe lightly onto the lens surface, which makes the tissue more effective at removing smudges. The tiny drops of moisture also serve to protect the lens coatings from scratches. To clean your lens simply breathe on it and polish it gently in short circular motions.

A second option (and one I personally prefer) are lens cleaning cloths, which are typically made of cotton micro-fiber or chamois material. Like lens tissue, lens cloths are lint-free and leave nothing behind when you use them. Unlike lens tissue, which you dispose of after using them, cloths can be folded away and used repeatedly. They should also be cleaned regularly otherwise you end up spreading whatever goop you cleaned off your last lens onto the new one. Cleaning is easy, and consists of thoroughly rinsing the cloth under warm water and a bit of liquid dish detergent. Rinse the cloth until there's no trace of soap bubbles, hang it up to air-dry, and you're good to go.

Lens cloths are available in a variety of easily-pocketable sizes including a few that fold away into tiny stuff-bags that can be attached to your camera or bag strap, or simply tucked away in your pocket. Lens cloths and lens tissue are equally useful for cleaning eyeglass and sunglasses, which like your favorite lenses, should never ever be cleaned with facial tissue, regardless of what Uncle Ted says.

For those of you who were raised in households that discouraged breathing directly onto polished glass surfaces, there are a variety of spray solutions available that accomplish the same goal. These sprays should not be sprayed directly onto the lens surface, but rather onto to your cloth or folded lens tissue. We (B&H) also offer lens cleaning kits containing everything you need to keep your lenses - for lack of better words - picture perfect.

One rule about lens cleaning you should never break concerns canned, compressed air, which along with removing dust particles can also severely - and irreparably - damage lens coatings.

Sunday, June 27, 2010

How to Make Your Digicam See Wider & Tighter

By Tim Thumb on 06-14-2010

We're big fans of pocket cameras simply because, unlike bulkier DSLRs, they're more likely to be handy when you need them. With the exception of newer point-and-shoot digicams and bridge cameras with10x-, 15x-, and 20x-plus zoom lenses, most pocket cams come up short when it comes to satisfying wider angle and/or longer telephoto needs. If your digicam features a threaded lens mount or accessory ring, Zeikos offers a selection of optical extenders that enables you to capture wider fields of view—including fisheye—as well as longer telephoto shots.

Zeikos wide angle and teleconverters are designed to fit most point-and-shoot digicams with threaded lens flanges designed to accept accessory lenses. If you're otherwise satisfied with your current digicam, but occasionally wish you had the option of going optically wider or longer, Zeikos lens extenders can greatly expand your creativity levels without compelling you to purchase a whole new camera system.

Zeikos optical extenders are available in 37mm (0.40x Fisheye, 3.5x Telephoto, and 0.45x Wide-angle), 52mm (0.15x Super Fisheye, 0.18x Super Fisheye, 0.34x Fisheye, 0.40x Fisheye, and 4.5x Telephoto), and 58mm thread sizes (0.18x Super Fisheye, 0.34x Fisheye, 0.40x Fisheye, 2x Telephoto, 2.5x Telephoto, 3.5x Telephoto, and 4.5x Telephoto). If the thread size of your camera's lens is a size other than 39, 52 or 58mm you can use step-down rings to bridge the gap without affecting the optical performance of the lens converters.

To figure out the conversion factor, you must first determine the focal range equivalent of the lens on your camera, i.e., 35-105mm, 28-140mm, 25-250mm, etc. By multiplying the millimeter range of the lens by the "x" factor of the extender, you can determine the new focal-range equivalent.

As an example, if the lens on your camera is a 35-105 equivalent and you attach a 2x teleconverter, the lens effectively becomes a 70-210mm zoom lens. A 3.5x teleconverter turns the same lens into the equivalent of a 122-367.5mm zoom.

For those seeking wider perspectives, the same 35-105mm lens used with a Zeikos wide-angle adapter (0.45x) effectively becomes a noticeably wider 15.75-47.25mm equivalent zoom lens. And for those needing (or wanting) extreme wide-angle imagery, you can go full-tilt fisheye using the Zeikos 0.40x, 0.18x, and 0.15x fisheye converters, which take the wide end of your zoom range to the extreme limits.

So if you find yourself stymied by the focal range of your digicam, take a browse through our selection of Zeikos wide-angle and teleconverters. You just might find an easy add-on solution to your current camera's optical limitations.

Saturday, June 26, 2010

Movie McNuggets

from Geekchickdaily newsletter:
That chain that cuts your hair isn’t the only place to find great clips

As a lover of cinema, there are obviously times when you’ve yearned to watch a specific moment from a beloved film—a particular scene that encapsulates all that’s special and magical about the movies.

Most likely that scene is the one where Richard Prior hires Yakov Smirnoff to be his driver in Brewster’s Millions. We’re with you. Now you can watch it here.

To find multiple Brewster’s Millions clips, as well as scenes from less iconic films such as The Godfather, Taxi Driver and The Silence of the Lambs, you can now turn to MovieClips.com, currently in beta. With the cooperation of studios, MovieClips is in the process of uploading thousands of movie moments—which can be viewed or even embedded—into a database searchable by genre, actor and even dialogue spoken.

To sample the site’s wares, we advise you to revisit these classic movie moments:

Revenge of the Nerds
Talent Show They had a rocking rhythm and a high tech sound that will make you move your body down to the ground.

Teen Wolf
On Court Wolf Out Who knew werewolves were so good at hoops?

The Big Lebowski
Marmot Scene It is indeed a nice marmot.

This Is Spinal Tap Mini Stonehenge Yes, the site also has the amps going up to 11.

The Matrix Lobby Shootout We can understand Neo and Trinity tearing up the guards, but what did the lobby walls ever do to them?

Friday, June 25, 2010

Star Wars Holograms Come To Life

From Geekchicdaily newsletter:

Discover the wonder of animation you will

Of all the gadgets to come out of the Star Wars universe— lightsabers, Death Stars, evil cyborg dads—one the coolest has always been the hologram. From its debut in A New Hope to its use today in them new-fangled Clone Wars, it’s also always seemed like the one that has the best chance at becoming a reality. And, today is that day…kind of.

Available now for pre-order is the Star Wars Holographic Animation Lab, the latest Lucas-approved learning kit from Uncle Milton—the toy Jedis responsible for the freaky-cool Star Wars mind control game. The “lab” is a plastic rendition of the Holotable as it appears in the Clone Wars series. Now, here’s where things get a little iffy: The hologram is not actually a hologram—insert protracted sigh of disappointment here—but a new spin on the old persistence-of-vision trick you see in old flipbooks. The Holotable comes packaged with 10 circular discs, each imprinted with 10 different pictures of a Clone Wars character and each picture only slightly different than the previous one. The discs are spun around by hand and a mirror reflects their moving images into your line of sight, thereby simulating a hologram. It’s listed Web-wide as shipping sometime in the Fall, but our source at Uncle Milton confirms the kit will be hitting shelves as early as August. Order now!

Thursday, June 24, 2010

Mac 911 Tip of the Week

Mac 911 Tip of the Week A reader who wishes to remain nameless seeks a little iPhoto spring cleaning. Nameless-to-you writes: "There are 474 items in iPhoto's trash. I've been trying to empty that trash and it just won't. Do you have any suggestions for me in completing this task?"

iPhoto has a trash separate from the Finder's trash. When you delete images in iPhoto, they go into this separate trash and they're not deleted from your Mac until you expressly tell iPhoto to empty the trash. You do this by Control (right) clicking on iPhoto's Trash icon and choosing Empty Trash from the contextual menu.

If you've tried that with no satisfactory results it's possible that you've hit a fairly common snag. I'll explain how to get unstuck in the Mac 911 blog. - Christopher Breen

Wednesday, June 23, 2010

BIRDEMIC



Partly inspired by Hitchcock's
The Birds & there is a cameo by
Ms. Tippi Hedren (Melanie in
The Birds).













BIRDEMIC
Shock and Terror
A James Nguyen Picture
A Moviehead Production

"Our New, Crazy Movie Obsession!" - Entertainment Weekly

Synopsis Trailers Press/Stills Screenings Cast & Crew Downloads Contact